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Writing Sample Titles


mostlygoo

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So one thing I noticed, when I was trying to come up with a title for my writing sample (for English/Lit programs) was that every title I came up with followed some kind of pattern. Usually I incorporated some kind of catchy phrase or quote, and then I followed (generally in the subtitle) with at least two conceptual ideas, ending with "in the [bLANK] of [sOME WORK or AUTHOR]." Eventually it got to be a kind of game, where I felt like I could just plug any words in there and it would sound just as academic or just as meaningless. (Dyslexia and Grief in the Ballads of Bob Dylan. Inversion and Ambiguity in the Footnotes of David Foster Wallace. etc.) Not that it was total BS... but I think I'd been spending a little too much time with JIRA.

Anyway, my final title was "Parenthesis of Light: Intermediacy and Potentiality in Pynchon's Stoner Noir." Which I actually liked quite a bit, even though it sounds ridiculous considering that the source novel is about a pot-smoking detective who calls everything "groovy."

Curious about whether other people (especially English/Lit candidates) struggled to find a title that 1) didn't sound obnoxiously abstruse and yet 2) sounded appropriately academic, while 3) would be original enough to keep the adcomms' eyes from glazing over. I like to think that my title fit in there somewhere, but every now and then it still makes me laugh.

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Literature lends itself to much more creative titles than history. I used a fairly standard formula in history:

"Illustrative quote from sources": Boring overly-lengthy description of what paper actually is about, xxxx-xxxx.

Just playing the game...

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So one thing I noticed, when I was trying to come up with a title for my writing sample (for English/Lit programs) was that every title I came up with followed some kind of pattern. Usually I incorporated some kind of catchy phrase or quote, and then I followed (generally in the subtitle) with at least two conceptual ideas, ending with "in the [bLANK] of [sOME WORK or AUTHOR]." Eventually it got to be a kind of game, where I felt like I could just plug any words in there and it would sound just as academic or just as meaningless. (Dyslexia and Grief in the Ballads of Bob Dylan. Inversion and Ambiguity in the Footnotes of David Foster Wallace. etc.) Not that it was total BS... but I think I'd been spending a little too much time with JIRA.

Anyway, my final title was "Parenthesis of Light: Intermediacy and Potentiality in Pynchon's Stoner Noir." Which I actually liked quite a bit, even though it sounds ridiculous considering that the source novel is about a pot-smoking detective who calls everything "groovy."

Curious about whether other people (especially English/Lit candidates) struggled to find a title that 1) didn't sound obnoxiously abstruse and yet 2) sounded appropriately academic, while 3) would be original enough to keep the adcomms' eyes from glazing over. I like to think that my title fit in there somewhere, but every now and then it still makes me laugh.

Being a medievalist, almost all of my titles invariably point towards Monty Python.

A paper I gave at a conference last year: "I'm Not Dead Yet: Patterns of Victim Agency in Medieval British Texts".

My thesis: "King of the Who? Crafting National Identity in Medieval Arthurian Texts."

And so on and so forth. I also sometimes quote Mel Brooks - "It's Good to be the King: Images of Monarchy in Medieval English Romances".

Etc. etc. etc. - I always try for something that I think is funny, followed by a brief description of what my paper is about.

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  • 7 months later...

Oh, definitely. At my school we call it the "Word, Word, Colon" formula. I personally go for the:

catchy phrase or quote, followed (generally in the subtitle) with at least two conceptual ideas, ending with "in the [bLANK] of [sOME WORK or AUTHOR]."

Examples:

“Because she rose from stinking Ooze”: An Examination of Socially Constructed Beauty in the Eighteenth Century

(This was for a 100-level gender studies class. The topic was "social construction." I wrote about Swift. :D )

“I at least have so much to do”: Narrative Responsibility, Analogy, and Heterogeneity in George Eliot’s Middlemarch

“[T]o lay a hand on its exhausted dust”: The Materiality of Memory in Andrey Platonov's The Foundation Pit

“Mystical Misogyny”: An Examination of Mythical Contradictions and Novel Form in D.H. Lawrence’s The Rainbow

Yeah, I've had fun with this format. B)

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I ended up calling mine "'A Good Serviceable Fiction': Capital, Form, and Carpenter's Gothic" - though a better title might have been something like "Hope You're Comfortable: This Paper is Ass Long."

Props on this one, definitely a lit-lover's title; still working on the title of my writing sample, which will be part of a current project.

On another note this thread gave me the masochistic urge to find my worst-titled paper: although I might have an even worse ace up my sleeve, for now the prize goes to an essay I wrote on Benito Galdos last year entitled "La Moralidad de la clase media: la ética y lo capital en El Torquemada en la hoguera" if, for nothing else, the sheer unimaginativeness of my translation of the famous GB Shaw quote

Edited by Origin=Goal
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