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needmorecoffee

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  1. 2. What is the best way to tell which programs are strong in which specializations- the professors' interests/publications, graduate students' areas of interest, some master list? 3. When figuring out which programs are good fits for me, how closely are my areas of interest supposed to align with the professors' intersts? For example, do I look for professors whose areas fall into my period of interest, or genre, or both, or do I look for a professor that fits my particular interests even more specifically than period/genre? And how many professors in the program should match up with my interests to ensure a good fit? Hmmm, no idea about the first question. Would also like to know that one. My assumption is that the best way to tell who's strong in what is to focus more on the professors' interests/publications, though students' interests may be helpful--after all, they're being guided by a professor. But definitely consider the professors more--you're going to wind up working with them and they'll guide your own research moderately to tightly (this was my experience, in an English masters program). Agreement/alignment is important! Also, I'd get as specific as possible--something I didn't do, coming out of undergrad. Grad programs really want to know that you have a definite direction in your research (or can at least look like you're capable of having one, sometime in the future). Period/genre is probably enough correlation for now, but maybe try to have some idea what you would like to look at within this period/genre. In my case, my undergrad 'well, I think I kind of like contemporary literature and sci-fi, but also I like Romantic-Victorian and everything else too, did I miss something?' later became 'I want to study modernism'--then it became 'global modernism'--and then finally, 'global modernist apocalypse/the sublime.' It may not have been as nice and natural a progression as it sounds, but I'm hoping it works better for me this time around than my first. Lastly, I wouldn't really worry about scouting for many professors who share your interests. Probably two is good. Maybe three or four. Again, I'm not exactly an expert on this whole PhD applications business, but during my masters I wound up working really closely with only two professors and for the most part, my thesis advisor was THE source for research inspiration/sanity/advice. I can't really imagine working a lot with more than just a small group of people, even for the dissertation. It's not at all like English undergrad, where a student typically talks to/works with half of-to-nearly everybody. Anyway, I hope this helps! Good luck!
  2. Going along with the whole 'sort of might fit' idea, any thoughts on whether I should take the subject test just so that I can apply to programs specializing in modernism/global modernism? (Okay, so maybe this shouldn't even be a question: it's my field!) Three years ago, I freaked out just looking at a sample subject test. This year, most of my absolute favorite programs don't require it, but a couple of long-shot/potentially interesting programs do. I could take it, just for the heck of it, to see how I do and if I can interest those programs at all/expand the number I can apply to that are actually intriguing to me. I'm not really planning to do any kind of intense study, maybe just looking over the Norton anthologies a bit to brush up. Any thoughts on this?
  3. I know that most people will apply to a dozen or more programs, but I'm concerned about applying to that many just because so few of them seem to fit my specific interests that well. I'm not in a particularly narrow field--postcolonial modernism shows up at a number of different schools--but not every program possesses equal strength or resources, and I'm not sure how I can finangle my way into programs where the professors may or may not be interested in global modernism/apocalypse theory. I hope they will be, but...Better to apply to fewer programs which best fit my interests, or more programs with a general focus?
  4. Is it ever acceptable to apply to more than one program (for example, MA in literature and MFA in creative writing) at the same school? Or does this kind of thing only convince the school's programs that you really aren't serious and don't know what you want?
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