Dear forum,
I recently stumbled upon this notion, the "critic as artist," as I was exploring, uh, the possibilities. Don't laugh, it's new to me. Wetting myself thusly in the stacks, however, I proceeded to Google the phrase and traced it back as an Oscar Wilde dialogue (the first reference I found to it was in an edited volume w/ mouthwatering - and probably highly offensive - "preliminary ruminations" by HL Mencken).
Mencken and Wilde, Wilde and Mencken. Such a pair. I think I'd enjoy having a beer with their ghosts. What I'm curious about is how deep does this oxygen-rich vein of sublime soul-igniting, intestinal-flora-tickling mischeif actually run? Is it widely accepted, condemned, or controversial? Does it offend the "pedagogues and poets"?
Does it put off adcom committees? The reason I ask this last bit is because I'm trying to get a sense of how deeply entrenched is the Lit/Creative Writing divide. I mean, if [good] criticism is in essence creative nonfiction, then the two are inseparable. Or not. I have overheard many a comment to suggest otherwise, and not just in a formal sense, but in a nearly hostile sense. Now, let me please say that I understand the necessity of formal distinction, as well as the extremely different work that goes on between the two types of departments. So, that's not what I'm asking. I don't mean to ask a pedantic question or to have a pedantic conversation, rather I am hoping that this is a valid theoretical query stemming (admittedly, perhaps deviantly... or not, that's my question!) from the Critical/Analytical side of the aisle: How many critics out there view themselves as artists? How many object? Who doesn't care? And why not?
I sure would like to tread lightly - if this is a conversation that already happened, I do apologize in advance!