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Mel Rose

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Everything posted by Mel Rose

  1. Thank you @tradagram for the reply! Relieved to hear that it is often all about the script. I have been wondering if going with a more traditional script is best for application. One of the plays I am working to polish is a little more conceptual and a "play with music" (though not a musical), and I'm wondering if it wouldn't be the right choice. Would love to hear about applicants' choices of material.
  2. Hello! I just discovered this forum, as I've been on the hunt for information regarding MFA's in Dramatic Writing/ Playwriting. I've done a bit of research on programs but have a lot of questions. I've never really identified myself professionally as a writer, though I've always written. Professionally, I've been working primarily as an actor and teaching artist (Shakespeare, Voice/Movement, and Dramatic Structure). I have become increasingly interested in changing trajectory and focusing on writing/creating, and have a strong desire to cultivate my craft and voice with guidance. I know there are many avenues to do so, but really would like to consider going back to school for dramatic writing, as everything about the MFA seems to speak to what I am looking for in terms of artistic development. I have never yet submitted my work for development, festivals, or production, and am worried that my lack of a playwright's resume (outside of a few workshops, etc) will work against me in the application process, despite being an active theatre artist. It seems that most MFA candidates have already been developing work at major theatres. I plan to begin submitting my work and pursuing different approaches but honestly I want to develop my voice more than I want to have professional productions of my work at this stage. I am looking for information on what would constitute "readiness" in an applicant for the MFA. I feel confident that I have stories worth telling and that I can polish drafts of my work for application, but am worried that the work alone is not the deciding factor in admission. My main questions are: What (other than writing) must be done to become a viable candidate for the MFA? What steps can be taken to ensure that you are "ready"? Does anyone here have any experience with acceptance to an MFA program who has had a non traditional path to playwriting or a very limited resume as a playwright? Lots of curiosity about this process but I will start there! Thank you for your time.
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